Latest News
- May 31, 2013 Corporate Responsibility: Reduce, Reuse, Recycle, and Profit
- May 31, 2013 A First Look: Paralinx Arrow & Arrow Plus
- May 30, 2013 The One-Man Broadcast Uplink: The LU70 Backpack Video Uplink
From the Blog
Corporate Responsibility: Reduce, Reuse, Recycle, and ProfitCorporate responsibility is defined by The Business Dictionary as “a company’s sense of responsibility towards the community and environment (both ecological and social) in which it operates....
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Kevin has been in the business since 1980. As a producer, Director, DP, and Steadicam operator. As the owner of a Production Company, he provides his DP skills using many types of camera packages...
Meet Kevin BrabandTechnical
Corporate responsibility is defined by The Business Dictionary as “a company’s sense of responsibility towards the community and environment (both ecological and social) in which it operates. Companies express this citizenship (1) through their waste and pollution reduction processes, (2) by contributing educational and social programs, and (3) by earning adequate returns on the employed resources.” By Kacey Trent Crews Control
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Paralinx is staking its claim in the wireless HD transmitter market with the introduction of the Arrow and Arrow-Plus. The Paralinx Arrow is a HD wireless bridge, capable of transferring fully uncompressed 4:2:2, 1920x1080, 10-bit video signal with less than 2 milliseconds of latency. It has a built-in Omni-directional antenna capable of transmitting signals up to 328feet/100meters...
Continue Reading "A First Look: Paralinx Arrow & Arrow Plus"
Many broadcast client necessitate immediate uplink, but there is also a trend of corporate clients asking for their footage instantly for quick turnaround. If a corporate client can receive their footage promptly they can create video content for themselves at the same speed as a broadcaster. This is important for clients who have presentations, press conferences, trade shows that need immediate release. One of the features of the LU70 is point to multi-point distribution. Which means you can...
Continue Reading "The One-Man Broadcast Uplink: The LU70 Backpack Video Uplink"
Transcribing video is important to cut post time, sufficiently archive video, and for spoken words to appear in Google searches. Transcription with timecode notes is a great tool for video Producers to make paper edits and Editors love it to quickly locate sound bites. Organizations often have all footage transcribed and added to their archival library for future reference. One of the most important reasons to have online video transcribed is to make sure all that valuable spoken content can...
Continue Reading "What is New and Noteworthy in Video Transcription?"
As a video Producer you have been assigned to produce a corporate video that you do every year. How do you keep this year’s video fresh, engaging, and still deliver the company message? Here are some simple ideas to keep your projects fresh with research, a new look, and by communicating with other industry professionals.
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So you’ve scheduled your shoot, but want to make sure you have the capability to view the footage onsite through your laptop. If you are shooting with Sony cameras, the Sony Content Browser 2.0 is just the solution. The Sony Content Browser 2.0 handles all XDCAM HD, XDCAM EX, XAVC, and NXCAM clips. Including support for XAVC Intra 4K and XAVC Intra HD clip types.
Continue Reading "FREE Through May 31st – Sony Content Browser 2.0"
Barbara Holler deals in the new and used professional video equipment market for New Pro Video Systems Inc. "The biggest change in the industry is that the videographer has merged with the cinematographer. Most people are going for that “filmy” feeling, so big cameras and sophisticated lenses are in demand, as are the PL mounts or lenses for the PL mount and DSLR market." says Holler
Continue Reading "Do You Buy New, Or Used?"
Companies are not only going to online job boards and newspapers anymore they are turning to YouTube in order to recruit potential employees. Recruitment videos are becoming the new craze when introducing job seekers to potential companies that are hiring. Recruitment videos allow for the viewer to become acquainted with a company while at the same time the company is able to prospect to a specific audience in which they would like to employ. By Kacey Trent Crews Control
Continue Reading "The Latest in Recruitment Videos: Lights, Camera, Hire!"
Former Hewlett-Packard digital expert Al Kovalick, author of "Video Systems in an IT Environment," gives us the inside scoop on what we need to know about managing A/V + IT.
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Try Jokerbox. No joke. In freelance production, space is often at a premium. From the space you have to pack equipment in your car, to a slot on your production cart—your production package is often dictated by space. One of the biggest space-eaters, albeit an important piece of production gear, is the Apple Box. Bringing it on location is like packing a basketball in your suitcase for an overnight trip.
Continue Reading "Want to Save Space on Your Next Video Shoot?"Describing the highlights of this year’s National Association of Broadcasters (NAB) annual show in Las Vegas is like having a child explain all of their birthday presents in thirty seconds. So here I go. NAB highlights the trends of the video production community and is good barometer of the industry. Some of the major trends and main attractions from this year’s NAB show were 4K and beyond, lower costs for better resolution, gyro stabilization, helicopter shooting, and the Cloud and video.
Continue Reading "NAB 2013: The Grandest Celebration in Video Production Equipment"As a DP at this years NAB, I am seeing some new trends. With the advent of 4K cameras, more and more accessories are being used to mange and control the image. The camera battery is becoming the main source of power for these items. Wireless transmitters such as the Paralinx, external recorders such as the Pix 240 or Ki Pro. Zoom and focus controls have been the standard in feature film production, but are now seeping into our side of the world. The Scatter box by Solid camera and the Jet Pack...
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Although there have been wireless devices in the past that have connected to smart devices to send camera information and metadata, this is a major step forward to utilize cloud services to send high resolution files.
Continue Reading "From Camera to Cloud: Sony’s Wireless Adapter the CBK-WA100"
"Production in the cloud has grown to a point where people are less confused about how it works, and they more fully understand the value of it. In fact, more people are making decisions on how they execute their shoots based on the tools and apps they can use that live in the cloud. This truly is a breakthrough that is taking off like crazy. We're excited to be at the center of this, and to unveil our new tools in the Crews Control booth." says Mark Davis, CEO of Scenios.com
Continue Reading "Cloud-computing firm Scenios “connects the dots” at NAB"
When the Canon 5D Mark II was released a craze began for the “shallow depth of field” look. Although this filmic look has been done for years, the 5D Mark II made it both readily available and affordable on a limited budget. Finally Canon used that same concept from the still camera and developed a video equivalent with their C-Series cameras. So, what is the difference between the Mark Series camera and a C-Series? The C-Series cameras provide professional XLR audio inputs and allow for...
Continue Reading "The C-Series little Brother: Canon’s new C100"
By now you might have read a handful of reviews for the new Sony 4K cameras that recently started shipping. If you had the opportunity to read Adam Shanker’s review of the PMW-F5 then you have a general idea of what you can expect from it big brother, the Sony PMW-F55.
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In a perfect world, we would only need one media to record everything. But this isn’t a perfect world. In the last couple years a plethora of new cameras, codecs and different types of recording media have been released. Sony has recently expanded their 4K presence and now has upgraded their SxS cards with the new SxS PRO+ cards. The PRO+ cards can write up to 1.5/Gbps and read up to 1.6/Gbps. They are designed to support the massive amount of information required in the capture of 2K and 4K...
Continue Reading "New Media from Sony: the SxS PRO+ and Mirroring Memory Sticks"
It’s not a foreign concept for anyone in any industry. People understand this law, it’s quite universal, and it’s referred to as Murphy’s Law. It states, if there is a possibility of something happening, it is then likely to happen. It commonly pairs itself with drastic circumstances one would not generally consider preparing themselves to troubleshoot.
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The LitePad Loop arrives in a handsome and well-designed padded soft case, with foam cutouts for the various pieces and accessories for the unit. The LitePad Loop and mounting assembly are robust, and I do like the magnetic accessory collar for attaching color filters – it’s an elegant solution and allows for quick swaps on-set. I was also happy to see that the kit came with additional 8” rods and a longer bracket, to allow for the use of longer telephoto lenses, something for which I’m...
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If you were to tell a DP 30 years ago to “shoot it raw,” they may think you want your project to look gritty like Serpico. Now if you say “shoot it RAW,” it means quite the opposite. It means shoot it with minimal amount of processing in a RAW file format with the maximum amount of data.
Continue Reading "Shooting RAW with the Sony AXS-R5 Recorder"






